We struggled most with the placement of the eyeball in the soup, as it got really difficult to have the eyeball facing upwards, so we took plenty of test shots and kept the camera running.
As the eyeball was made out of clay, the paint began to come off, so we had to work quickly.
Here is a video of all the test shots we used with the eyeball.
As we filmed outside we also struggled with lighting the characters outside, which we will probably have to alter in Final Cut Pro.
vey good evidence. How o you think they overcome that problem in the real film world - the paint?
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