This includes your use of camera techniques,
your use of blogger, your use of prezi (if you used it), the
internet (used for research for example) final cut editing
techniques, garageband, Photoshop (if you used it), social networking
(if you used it)
The biggest thing I’d say as a group and as an
individual that has been taught is the titling. It was said previously
that the titling wasn't a very focused point of film creating in AS.
We thought with this, and decided to use Photoshop to create our
institution logo and titles. Alex created the logo, but I played around on
Final Cut Pro with the video effects on the macs, to try and make it fit with
the thriller theme. We used two cameras, to film Holly's Dad and Alex,
playing Elijah. This sped up the filming time which meant we had more time
editing. However, we noticed that the DSLR camera we used picked up
more noise when we uploaded the footage to the macs, but we
had separate recorded sound so it didn't really matter. Using
two cameras was a great advantage for us. It saved us a lot of time. Because
Alex had a camera, there was no reason why we couldn't be provided with two, so
when there was the chance we seized it. When filming a shot
reverse shot (SRS) sequence, it can be very difficult to capture,
especially with one camera. I set up one camera focusing on our character
Elijah (portrayed by Alex) and Holly set up the other one to be facing her
father. Both the cameras started rolling at the same time and captured the
sound at the same time too (even though we edited that
out). This was a much quicker way to deal with things, and made the acting
more natural as we didn't have to stop the camera each time a new character
spoke. Organisation is key. We organised our sound and video footage in
"bins". A bin is basically different
folders differentiating parts of the film. I found this was a very
simple way to help navigate to different areas of our film. I also learned not
to rename clips but to name them in the log area. This saves it from messing up
with the original name and losing work. ORGANISING FILES ON FINAL CUT PRO; I created a
blog post for this, so if we ever needed to refer back to it - we could. It
also showed my better understanding of Final Cut Pro.
Creativity:
In what ways did you try to be original? How
successfully did you balance the use of standard conventions of thrillers with
the aim to be different or original?
E.g. consider techniques used, narrative,
character, mood, sound, themes, titles etc
Elijah
is portraying a teen or young adult if you'd prefer, by wearing a shirt with
the collar done up, and his hair slicked back. His costume is like this to show
sophistication. This was the original thoughts of this particular character, to
show he has all the power and authority. This character is shown to be innocent
at first, but with this particular shot, we enter a completely different
atmosphere, and show a more sarcastic character, showing the emotions in his
face. We went against the normal formula of thriller conventions. The
saturation of the film is different as we didn’t make it dull like the
stereotypical thriller.
Research and Planning:
How thorough and effective was your research into
real media texts? How actively did you use your findings to
create your own ideas? How well did you record your findings? How individual
was your research? What was your role in planning and what was effective or
not so effective?
We
looked at different thriller openings to make our ideas more concrete and to
fit the formula of a thriller film. Moodle had a selection of films already
listed which we looked at and analysed different ones each in the group. We
tried to incorporate some of the ideas from each film.
One of
my interests is theatrical make up, which we also experimented with, looking
back on different types of scars you can make. We also did a trial in college
with paint and tissue, which wasn't what i wanted, so i went out and bought the
correct equipment, and made a slit throat with wax and a bruise wheel paint pallet.
Post production:
This refers to the entire editing process (sound
and vision). What specific skills have
you individually developed in this area? What do you need to work on? How
successfully did you work on sound and vision together?
The
logo (HAM PRODUCTIONS) was thought about with the different
video effects, I took some time in the editing suite alone just
flicking through the different effects, and stumbled onto "bad
film" which made the logo shake and distorted. I feel this
fitted well with the theme because it flickers, and
thrillers stereo-typically deal with low lighting. The names of
the actors involved looked semi-professional. The theme was that the last names
are highlighted in white. This makes it more obvious when it then
fades out onto the film footage of outside of the station. The text
then fades out. We experimented a lot more with transitions. I really
liked the cross fade because it didn't make anything look too
harsh, and I liked the look about it. But obviously, before all the editing
could be achieved, we needed footage to edit! As for sound, we had that
recording the whole time. We placed in on the desk behind the computer which
was used as a prop in the scene. This was good as it was in between both of the
characters so the volume was equal. We used a sound recorder, and left it
running the whole time we were filming, it ended up being a 19 minute sound
clip I do believe, but this was easier. It meant we could just listen to the
same recording and just find what part we needed.
Using conventions from real media texts:
Which specific conventions of the thriller genre
did you choose to use in your product? How successfully did
you use them? What were the reasons for not being able to use them?
From
the research I found, we are usually introduced to the protagonist of the film
in the opening, however without the context we are unable to tell sometimes.
Also, sometimes in film openings, for example "The Usual Suspects"
the opening, is actually connected with the ending. Sometimes it works better
to not have everything in chronological order because it makes it seem
fragmented. This establishing shot from the opening scene from "The Woman
in Black" shows how distorted the colour is. It is always
important to notice things in shots like this, because it gives away what time
this was set in, because it is clear from the props, that it isn't a modern day
setting. In thrillers, the lighting tends to be a lot dimmer than if it was,
say maybe a comedy or a romance. One of the main points of making a thriller is
to raise the enigma in the audience and obviously 'thrill' as well as
entertain. We used conventional colours for our titling, the
common red and black. It's centered on screen so your eyes are immediately
drawn to it. The red glow has many different connotations, but in this case we
wanted it to represent danger, blood and evil. Red and black are common
colours to see within a horror film, colours are very important. For
example - Cabin in the Woods used red writing to show their directors and
actors (on the right). Another thing with titling I've learned is that
half of the time these days, actors names don't
get mentioned at the beginning of films, but in the credits. You
tend to only see the director mentioned. Not always, but mostly. However
in our film we featured ourselves in it. At first this was
a difficult process because all the fonts
looked really amateur with our theme, along with fonts like
"Comic Sans" which doesn't really have connotations to scare an
audience. So instead we created all the typing in Photoshop and
inserted them as photos and added fade in effects to them. As you can see we
have a very basic font for our characters and people who were involved in
making the film. The font and colour matches our title "Elijah" which
all ties together. Again, the black background suggests evil and alone.
Soundtracks are very important in thriller films and you tend you get music
which builds to a crescendo. In our opening, we did achieve this! With a
soundtrack called "Long Note Two" we found that it would slowly build
up with its eerie tones to create an enigmatic tension when showing
our production companies and other titles.
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