The plot of our story will switch between two sides using cross cutting editing between a Father and
Son/Daughter trick or treating, and an anonymous person preparing food, however
all the conventions will lead the audience to believe that anonymous person is
preparing a human body. The person, which will later be revealed to be the
mother will be preparing the ‘food’ which we will show through restricted narration using closed camera shots, using close
ups, and angling the camera in order to maintain
the anonymity of the character preparing the food.
We will open with a CU shot of the child’s shoes, panning up
to show them in a Halloween costume,
They will be accompanied by their
parent and we will use close up shots of hands ringing doorbells and treats
being poured into trick or treat baskets. We will use a repeated shot of doors
opening onto the two characters and/or, ringing door bells, to show their
movement throughout the night. Transitions between the rapid successions of
repeated shots will be either straight cuts or possibly FADE
to black, dissolves.
This will then be contrasted with a dark setting of a
kitchen, using low
key lighting. Using restricted narration we will show a
character preparing a meal with what the audience will be led to believe, are human
bodily remains. This will be done with a lot of close up camera work and
angling of the camera, and action and
enigma codes, such as CU’s of knives cutting
on a chopping board, offal lying around the setting surfaces, use of a meat
tenderizer and intense BCU Facial expressions, copious amounts of blood,
washing hands to clean off the blood and possibly use of a blender, with red
liquid (blood?) We will focus primarily on camera work and sound to set the
scene. The setting itself will be dark and
looking macabre, dark lighting and sinister props, such as jars filled with dark coloured
liquid and carved pumpkins. We will use low key
lighting, which will be used to highlight the side of the face, showing
gory shots of the meat.
The gory scene will be contrasted in comparison to the trick
or treaters, through the dialogue, such as “You’ll have to eat dinner before any of
those sweets!”
Gradually the audience will start making a link between the
two settings and the relationship between the characters, as the film would
build into a climax as the three characters would cross over. We would audibly
hear voices and the door opening in the kitchen setting, the dialogue of the two trick or treaters crossing
over into the kitchen setting such as “Oh
I thought fruit was only given in the movies!” the use of the innocent
conversation into the kitchen setting with leave the audience asking questions
as to why the pair are now in this setting.
We will then use a reveal of the character from the kitchen,
as the mother of the child, who will then be shown holding the ‘dinner’ she has
prepared. The audience will now see the woman has prepared a dinner for the
three, shown as a completely normal dinner, with the husband remarking “Oh this kitchen is a mess in here!”
We will then show the three sat round the dinner table
eating a starter of soup with the main also sat on the table, leaving a sense
of normality in the family. We will use a final shock reveal as the audience
assume all is normal, a CU of a soup bowl will
be shown, with an eyeball floating up will be used to impact the audience and
leave it as an enigma and the audience asking questions, is it real?
This is good. You can make a real success of this. It is really ambitious but doable.
ReplyDeleteMake sure you take lots and lots of footage as you don't want to be left having to recycle like last year. It does not matter if footage is wasted, Maybe have several versions of the end - you may need more or less of an ending depending on how your timing goes.